Western Stars, Bruce Springsteen

For a while it has been mostly used vinyl, old records, that I've been after. Then a couple months ago my friend and I went to Albany for a show, stopped into Last Vestige Records, and I went through every record in the rock and jazz sections twice but couldn't find a single one to buy. Some of that is due to luck — there's no telling what I'll find on any given day — but a lot of it has to do with having built out my collection to the point at which the used albums I might want are too pricey and rare. There's just not that many old albums I need right away. Sure, I'll find some time to time as I have since that trip to Last Vestige, but I've reached a kind of tipping point.

This morning I'm listening to Bruce Springsteen's Western Stars on my turntable and thinking that it is one of several newly-released albums I've bought lately. There was Brad Mehldau's spectacular Finding Gabriel (which seems to have been mastered much better for vinyl and CD than it was for streaming), and I've preordered Mehldau's Live In Tokyo which is one of my top five desert island albums. There have been others and more are on the way. This is the way to listen to new music.

I stream these albums too. Or at least, I do until I buy the records and they come with an MP3 download. Then I copy the MP3 to my computer, spare hard drive, and phone so that I'm listening to something I bought. (I'll stream them too just to make the streaming company pay the artist a cent and a half or so, but I prefer to play the copy I own.) Streaming is fine. I'm not going to complain about something so convenient, but today I walked into The Sound Garden, grabbed Springsteen's Western Stars out of a display right up front, talked with the clerk about the album, drove home, put the album on the turntable and sat down to listen. My daughter rode with me to the record store and looked at stickers and t-shirts while I paid for Bruce's album. We talked about prom and stopped for coffee. Streaming's fine, but doesn't touch this kind of experience.

I just finished side D of Western Stars, pulled the album from the turntable and put side A back on. I'll listen again and again and again because it sounds and feels so good. Anyone who isn't raving about this album isn't listening. Or maybe they're listening to the stream and just aren't paying attention. Digital can have that effect on a person. Even as I'm typing this, I pause and savor what's playing. It's so good I have to stop writing now and go listen. I'm curious: What album will be next? Will it be old or new? Who is it going to be and where will I be when I find it? How will I be feeling when I let it spin for the first time? I wonder all these things, but for now this album is about all I need and answers all the questions I need to ask.

Noise & Technology

I have just turned music back on. A Manu Katche jazz album I've written about before.. The music is accompaniment to my writing and blots out some of the white noise produced by a network switch in my classroom. That thing's driving me crazy.

The switch have hung in a box on the wall of this classroom since before I took up residence in 2011, but early this year the tech folks replaced an old unit with a new one. The fan on this new one runs constantly and it is loud. I've just measured it at about fifty decibels. That's not technically loud, but is like a window air conditioner run all day long. The noise pulls me away from reading and writing.

I've asked the technology people for a fix, but they say it's not loud. Oh, well, in that case. I pressed them further, saying, it is loud in a classroom where we try to concentrate. They said, nothing we can do about it.

So it goes with technology. I'm to accept it without complaint. Or with complaint. Either way, I am to accept it, but I don't. This is not the way things ought to be.

I'm trying to read Wendell Berry's essay "Faustian Economics" which would be difficult for me in a silent room and is stretching my limits with that network switch running. One quote I've hung onto is this:

Our true religion is a sort of autistic industrialism. People of intelligence and ability seem now to be genuinely embarrassed by any solution to any problem that does not involve high technology, a great expenditure of energy, or a big machine. &endash; The World-Ending Fire, 209.

It is also embarrassing when someone questions the machines, technology, and constant burning of energy. The network switch is necessary for moving internet bits about the school. Live with it and stop complaining.

More and more I'm less interested in living with things that don't seem worth the sacrifices they demand. Music and writing, yes. A lot of technology and noise, no. There are other ways to live and most of the good ones are evident in our history and the traditions we all too often abandon.

I'll return to Wendell Berry now, as best I can with that switch's fan running. It would be bad for me to go up there and unplug it. Terrible in fact. It would be a violation of our true religion. Hmm, come to think of it, that sounds like fun.

Pundit Clowns

A friend tweeted a comment about Skip Bayless, a sports pundit, who was criticizing Lebron James. Something about James not hitting a high enough percentage of free throws this season, calling him out for it. Surely at that rate Lebron is not the greatest of players. So said Skip Bayless.

My friend's tweet: "Somehow this clown still has a job."

Clown is right. A clown puts on a show to entertain, makes a fool of himself, and acts as if she or he doesn't know the fool they have become. Rodeo clowns make spectacles of themselves to distract the small-minded bull so that the thrown rider can escape the ring. The clown's job is to be ridiculous but also to get us to watch.

I don't enjoy clowns. I don't have any irrational fear about them. It's just that they don't do much of anything for me. Were I to be thrown by a bull, my opinion would likely change, but I'm not about to join in that nonsense.

Skip Bayless is paid to be a clown. That's why he still has a job. And people pay to be distracted by clowns who point at something inconsequential such as the performance of someone playing a game. There is a history of good sports reporting that both acknowledges that sports are games but also understands the art of them, the poetry and ballet involved, but most of that is lost to the "look over there!" of clickbait and twenty-four-hour sports coverage.

I find the only solution is to look away. I only wish that I was as good during the NFL season as I am throughout the endless basketball and baseball seasons. Do as I say, not as I do. Avoid the pundit clowns and stick with the reporters and writers. Bayless ain't no reporter or writer. He's more of an asshat. You know what to do with those, don't you.

Sports pundits, more often than not, seem entitled and incapable. They can't play the games and so they sit on the sidelines forever pointing out the flaws of those who do play. I understand criticism, but that's not what the likes of Skip Bayless are pedaling. Instead, it's petty, childish, taunting for the sake of entertaining the other kids on the playground. I don't want to be one of those kids. I'd rather play the game myself or watch the pros play it, preferably with the sound off or live and in person with no pundits getting in the way.

Digital Lost & Analog Found

I'm listening to Glen Campbell. Yes, Glen Campbell. Yes, I'm old. Yes, it's good, good stuff. And yes, it's on a vinyl record I bought, own outright, and, if you have a turntable, live nearby, and seem trustworthy, I can loan it to you without any corporation knowing about it. No breaches of privacy. No question about the format remaining compatible or the company going out of business. No user agreement forcing me into binding arbitration if I share the thing. Oh, and I paid for it once and never will again. Crazy stuff, really it is.

This week there was a report about a fire destroying a bunch of old recordings and master tapes. Depressing. Losing art saddens to me. My record collection could go that way if disaster strikes our house. My old record collection suffered the disaster of the CD, Napster, iTunes, streaming, and me selling all of them for a pittance at a garage sale. I wasn't playing them then and hadn't in years. These things happen. I'm not beating myself up. And I'm hoping the house won't catch fire.

I've been thinking about old writing files I've stored in the cloud or on hard drives. I still have things I typed at Clarkson University in 1987. They were written in an editor that saved things as text files. I can still open those with almost anything. By 1988 I was writing with an IBM word processor and, unless I'm willing to do a ton of work or pay some money, those files are gone forever. Paper is bulky and can catch fire, but it's a format that doesn't go out of style no matter how much the electronics industry has been trying to make it go away. There are reasons to hang onto the old ways of doing things.

Sometimes it's not disaster or the march of progress that ruins things. MySpace deleted millions of files from their service. All that music is gone. Corporate decision making, something we can always count on to do what's best and right. Yep.

This weekend I tried resurrecting an old iPod using iTunes. I found out that some of the songs I "bought" from Apple aren't playable without my Apple ID, something I deleted a few years ago. Oh well. I thought I owned those things. Not so much. Is it any wonder I buy records now?

This weekend I downloaded a non-streaming music app for my phone. It only plays music I own, downloaded to the phone. I like it so far. It works whether or not I'm connected to a data stream and doesn't tell anyone what I've listened to so I can be hit with ads. It's no turntable and amp, but those things are pretty tough to carry on a walk or play in the car.

Everything for sale seems only to be for rent. I don't like renting. Sure, ownership is a pain when things break down. Our house needs a roof, my amp has to be repaired, the car needs new tires. Still, these things are mine andhave more value to me than if they were rented or owned by someone else whom I pay in money, data, and the abdication of my privacy.

One of the computers belonging to a member of the band Radiohead was hacked and the bastards stole demo tapes the band had made. The thieves set a ransom and the band responded by releasing the tapes for a small fee they are donating to charity. Good for them and screw those thieves. I don't care if Radiohead has a lot of money. They probably do and I'm happy for artists to make that kind of money. They don't need to be punished for it. The thieves on the other hand should be drowned in a deep part of the ocean. And we should be wary of the progress around us. Nothing is safe online. Nothing stored online is private. Sigh.

Networks can always be hacked. File systems go out of date. Electronic storage breaks down. Just last weekend Google's servers failed on the East Coast. If Google can come as close to melt down as Nine Mile Point, how far are we from Chernobyl?

My records wouldn't survive a fire, but they survive time and the whimsy of the next new thing. Just like Glen Campbell. I swear, this guy still sounds just absolutely great. He's gentle as hell on my mind. Come on over. I'll lend you the album.